Paganini always appeared in dark rooms, only the dim light of candles lit up his figure, he was
seems a bit demonic man ... today I can see his shadow in front of you ...
Liszt Transcendental Etude wrote no. 3 "Landscape" by drawing on the roundabout alla Campanella with bells, which is the final Concerto in B minor Paganini ... bells resound beautifully, so I like when you conduct a dialogue with the highest violin sounds ... this winter is a connection .. . and yet not often listen to the bells and violin ... so listen
finale Rondo alla Campanella III concertu B minor g. Salvatore Accardo
ehh ... pokręciłbym in circles like a movie ...
here below mentioned study performed by Claudio Arrau, pupil Martin Kraus, a pupil of Liszt ....
Landscape - Liszt (3 etude transcendental) g. Claudio Arrau
marginalized, Baudelaire wrote of him:
But back to the XXIV Paganini's Folly ... A minor has developed and ; paraphrased including Chopin, Brahms, Rachmaninoff and Lutoslawski ... and thus derive from his work mostly pianists, as we also mentioned Liszt, who reportedly saw his concert in Paris ... so who had the good fortune to see during the game Arrau also affected, in a sense, Paganini ...
La Risata del Diavolo (g. S. Accardo) and
Caprice XXIV (wyk.David Garret)
so bye Mr Niccolò .... but rather to hear ....
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